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作 者:谢延秀[1] XIE Yan-xiu(School of Politics,Law and Public Administration,Yan′an University,Yan′an 716000,Shaanxi)
机构地区:[1]延安大学政法与公共管理学院,陕西延安716000
出 处:《延安大学学报(社会科学版)》2022年第6期74-78,86,共6页Journal of Yan'an University (Social Sciences Edition)
摘 要:20世纪50年代中后期,学界涌现出一些具有革命英雄传奇类作品,而《烈火金刚》是其中独具民族叙述特色的经典文本,深受读者喜爱。小说将传奇与革命英雄巧妙遇和融变,将传奇文体、抗战生活与评书艺术形式融为一体,改写了传奇类小说的表现主体、表现内容与审美风格。《烈火金刚》的传奇性主要体现在拟话本小说体制、类型化人物塑造与铺陈渲染的浪漫主义表现手法三个方面,用中国方式讲述中国故事,开创了红色经典中传奇性书写的审美范型,深刻影响了后来的同题材创作。In the middle and late 1950s,there emerged some works with legends of revolutionary heroes in the academic world,among which The Burning Man is a classic text with unique characteristics of national narrative,which is loved by readers.The novel skillfully meets and merges legend and revolutionary hero,integrates legend style,Anti-Japanese War life and storytelling art form,and rewrites the expression subject,expression content and aesthetic style of legendary novels.The legend of The Burning Man is mainly reflected in three aspects:the system of the Nihuaben novel,the characterisation of the characters and the romantic presentation.It tells the Chinese story in the Chinese way,which creates the aesthetic paradigm of the legendary writing in the Red Classic and profoundly influences the subsequent works of the same subject.
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