检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:王若伊 陈丽[2] WANG Ruoyi;CHEN Li(Longyan University,Longyan,Fujian 364000,China;Concord College of Fujian Normal University,Fuzhou,Fujian 350117,China)
机构地区:[1]龙岩学院传播与设计学院,福建龙岩364000 [2]福建师范大学协和学院,福建福州350117
出 处:《龙岩学院学报》2022年第6期33-37,共5页Journal of Longyan University
基 金:福建省社会科学规划项目“新时代闽西苏区红色艺术资源的整合传播研究”(FJ2020X009)。
摘 要:电视剧《绝命后卫师》《绝境铸剑》《绝密使命》被称作“红色三绝”系列,呈现了闽西在中国革命史的独特贡献。该系列电视剧通过平衡虚构作品与纪实作品之间的审美趣味,实现在收视过程中使人得到精神洗礼的艺术追求。“红色三绝”遵循紧贴历史进行艺术创作的理念,坚持还原“历史真实”的叙事风格,塑造了一系列符合现代大众审美的“平民化”草根英雄形象,并且围绕地域特性充分反映了闽西客家的族群性格,使作品呈现出真实、崇高且具有现代性的审美特色。Such three TV series as Rear Guard Division,Sword Casting and Top Secret Mission are called the three“Red”TV series,representing the unique position of West Fujian in the history of Chinese revolution.This paper focuses on the aesthetic characteristics of these series of TV plays,and emphatically analyses how these series balance the aesthetic interest between the imaginary works and the documentary works,so as to realize the artistic pursuit of spiritual baptism in the viewing process.The author believes that the“Three Red TV Series”followed the concept artistic creation based on history,adhered to the narrative style of restoring“historical reality”.They have created a series of“civilian”grassroots heroes who conform to the modern public aesthetic,and fully reflect the ethnic character of Hakka in West Fujian around the regional characteristics,so that the series present the real,lofty and modern aesthetic characteristics.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:3.128.197.221