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作 者:李楚洋 LI Chu-yang(School of Fine Arts,Jiangsu Second Normal University,Nanjing,Jiangsu 211222;School of Humanities and Arts,School of Science and Technology,Macao University,Macao 999078)
机构地区:[1]江苏第二师范学院美术学院,江苏南京211222 [2]澳门科技大学人文艺术学院,中国澳门999078
出 处:《艺术百家》2022年第4期136-143,共8页Hundred Schools In Arts
摘 要:宋代是一个具有“独立之精神,自由之思想”的时代。宋代的士大夫阶层,一方面具有中国历史上最为强烈的淑世精神和入世理想,另一方面也具有最高雅的精神追求与审美品位,这一切都直观地反映在了宋代的一系列“文人雅集图”作品里。文章将宋代文人雅集图作品从历史事件、事实层面上升到政治文化层面进行探讨,分析文人雅集图程式化画面背后的政治、审美理想,以及宋代文人精英阶层的群体人格。The Song Dynasty is an era with"the spirit of independence and the thought of freedom".On the one hand,the scholar-officials in the Song Dynasty had the strongest help the world spirit and ideal of entering political stratum in Chinese history,and on the other hand,they also had the most elegant spiritual pursuit and aesthetic taste,all of which are directly reflected in a series of"literati elegant collection map"works in the Song Dynasty.This paper tries to discuss the elegant graphic works of the Song Dynasty literati from the level of historical events and facts to the political and cultural level,and analyze the political ideals and aesthetic ideals behind the stylized pictures of the literati,as well as the group personality of the elite literati in the Song Dynasty.
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