画里画外韩熙载——略谈顾闳中《韩熙载夜宴图》创作意图  

Han Xizai inside and outside the Painting——A brief discussion on Gu Hongzhong's creative intention of Han Xizai's Night Banquet

作　　者：张陆鑫 ZHANG Luxin

机构地区：[1]西安美术学院美术史论系,陕西西安710065

出　　处：《淮北职业技术学院学报》2022年第6期108-112,共5页Journal of Huaibei Vocational and Technical College

基　　金：安徽省高等学校人文社科科学研究重大项目“皖南古民居雕刻图式在当代建筑装饰设计中的转换研究”(编号:SK2020ZD010)阶段性研究成果。

摘　　要：卷轴国画《韩熙载夜宴图》是中国美术史中无法避开的一幅传世名作,这幅作品充分体现其创作者顾闳中在传统工笔设色绘画领域的深厚功力,画家通过对全卷五个段落不同宴乐片段的描绘,为我们再现了一个完整的宴饮行乐场景。借助画面情景的描绘,作品在人物形象、衣冠服饰、建筑家具、宴饮舞蹈等方面具有社会历史与艺术风格研究的双重价值。在此文中,从《韩熙载夜宴图》历史背景出发,分别对主人公韩熙载从画里的图像到画外的人物生平进行对比分析并结合画家的视角,力图还原出历史中韩熙载真实的人物形象,借以探讨中华民族传统儒家文化精神的应有之义。The scroll Chinese painting Han Xizai's Night Banquet is an inescapable masterpiece in the history of Chinese art.This work fully reflects his creator Gu Hongzhong's profound skills in the field of traditional meticulous painting.The painter recreates a complete scene of feasting and entertainment for us through the description of different banquets in five paragraphs of the volume.With the depiction of the scene,the work has the dual value of social history and artistic style research in terms of character image,clothing,architectural furniture,feasting and dancing,etc.In this article,starting from the historical background of Han Xizai's Night Banquet,the life of Han Xizai,the hero,from the images in the picture to the characters outside the picture,is compared and analyzed,and the painter's perspective is combined to try to restore the real image of Han Xizai in history,so as to explore the due meaning of the traditional Chinese Confucian cultural spirit.

关 键 词：韩熙载 顾闳中 《韩熙载夜宴图》 儒家传统 

分 类 号：J05[艺术—艺术理论]