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作 者:田书六 Tian Shuliu(Henan Liunitang Ceramics Co.LTD,Zhengzhou,China,450044)
机构地区:[1]河南六泥堂陶瓷责任有限公司,郑州450044
出 处:《陶瓷》2022年第12期111-113,共3页Ceramics
摘 要:高温釉在中国有着十分悠久的历史,高温釉窑变制作出来的精美瓷器在古代入住宫廷,在当下则受到大众的青睐。当代高温釉的艺术作品不仅局限于国内,更逐步走向世界。历久弥新的我国瓷代表了当代中国缓慢觉醒的自主文化意识,而随着人民生活水平的提高,文化的回归必然加速,传统艺术的回归对于传统文化的塑造也必然成为中华传统文明再度繁荣兴盛的标志之一。High temperature glaze has a very long history in China.The fine porcelain made by kiln transformation of high temperature glaze moved to the court in ancient times, and is favored by the public at present.Contemporary art works of high temperature glaze are not only limited to China, but also gradually to the world.The enduring Chinese porcelain represents the slow awakening of contemporary China’s independent cultural consciousness.With the improvement of Chinese people’s living standards, the return of culture will inevitably accelerate, and the return of traditional art will inevitably become one of the symbols of the prosperity of traditional Chinese civilization.
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