敦煌石窟色彩文化探析  

Exploration on the Color Culture of Dunhuang Grottoes

作　　者：张彩霞[1] 夏艳萍[1] ZHANG Cai-xia;XIA Yan-ping(School of Art and Design,Lanzhou Jiaotong University,Lanzhou730070,China)

机构地区：[1]兰州交通大学艺术设计学院,兰州730070

出　　处：《兰州交通大学学报》2022年第6期155-158,共4页Journal of Lanzhou Jiaotong University

基　　金：甘肃省2020年度哲学社会科学规划项目《敦煌色彩艺术的美学价值挖掘与美育应用研究》阶段性成果(20YB054)。

摘　　要：敦煌石窟色彩文化是中华优秀传统文化的重要组成,凝聚了中国传统艺术精髓,是形成博大精深、庄严富丽的敦煌艺术成就的关键所在,亦是了解与研究中国中古时代色彩文化直接而重要的资料。敦煌色彩发展趋势与中国绘画整体发展脉络暗合,强调线色并重、墨色并用原则,且不受中国传统色彩观念的束缚,更注重追求其审美效应,独具魅力。敦煌色彩在和谐之美、意象之境、装饰之趣的审美追求中,构筑了人类视觉与精神双重享受的完美之境。The color culture of Dunhuang Grottoes is an important part of Chinese excellent traditional culture,condenses the essence of Chinese traditional art.It is not only the key to form the profound and solemn Dunhuang artistic achievements,but also direct and important materials for understanding and studying the color culture of China’s medieval times.The development trend of Dunhuang color coincides with the overall development structure of Chinese painting.It is not bound by Chinese traditional color concept,and emphasizes the principles of paying equal attention to line and color,using both ink and colors.It pays more attention to the pursuit of its aesthetic effect and has unique charm.In the aesthetic pursuit of the beauty of harmony,the realm of image and the interest of decoration,Dunhuang color constructs a perfect realm of human visual and spiritual enjoyment.

关 键 词：敦煌色彩 和谐 意象 装饰 

分 类 号：J202[艺术—美术]