异常视角下建筑空间叙事的审美逻辑——以《疯狂的石头》为例  

Aesthetic Logic of Architectural Spatial Narrative from an Anomalous Perspective——A Case Study of Crazy Stone

作　　者：丁素红[1] 凌嘉敏 Ding Suhong;Ling Jiamin

机构地区：[1]重庆大学建筑城规学院,重庆400044

出　　处：《重庆建筑》2022年第12期69-72,共4页Chongqing Architecture

摘　　要：电影《疯狂的石头》凭借建筑空间的异常视角叙事完成了对现代城市百姓生活百态的全景描述。一直以来,该电影独特的非线性叙事方式为人所称道,但其背后复杂的审美逻辑问题较少得到关注。该文通过电影片段实例分析,融合超现实主义表现特征,探讨在蒙太奇、俯视视角、多视点漫画视角这三类异常视角下,建筑空间化叙事所表达的时代性审美诉求与现代主义城市生活的时空特征关联。The film Crazy Stone makes a panoramic depiction of the modern urban life from an anomalous perspective of architectural space.The film has been praised for the unique non-linear narrative way,but the complex aesthetic logic behind is hardly noticed.Through the analysis of film clips and combined with the surrealist performance characteristics,this paper explores the spatio-temporal connection between the contemporary aesthetic appeals expressed in the spatialised narrative of architecture and the modernist urban life from the three unusual perspectives of montage,depression angle and multi-view comic angle.

关 键 词：建筑空间 《疯狂的石头》 审美逻辑 超现实主义 异常视角 

分 类 号：TU-024[建筑科学—建筑理论]