高古与情韵并存——论陆时雍对傅玄的诗歌批评  

High Antiquity and Charm Coexist--On Lu Shi-yong's Poetry Criticism to Fu Xuan

作　　者：张聪 ZHANG Cong(Chinese Language and Literature,Liaoning Normal University,DalianLiaoning 116081,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《齐齐哈尔师范高等专科学校学报》2022年第6期37-39,共3页Journal of Qiqihar Junior Teachers College

摘　　要：《诗镜》是明末最后一个富有特色的大型选本,陆时雍对众多晋代诗人评价不高,傅玄的诗歌艺术性并不鲜明,陆氏却赋予傅玄以较高的诗学地位。陆时雍主张复古与诗情相结合,在晚明显示出较为新颖的诗学倾向,在其诗学视域下,傅玄诗阐发汉魏诗情、承继风雅传统,善于造悠远之境,格力高耸,得古之神,在诗史上有承上启下之功。在傅玄诗歌接受史上,陆时雍的评价较为独特,但也有过于偏重情韵之嫌,失于客观。Shijing is the last large-scale anthology with distinctive features in the late Ming Dynasty.Lu Shi-yong did not think highly of many poets of the Jin Dynasty,and Fu Xuan's poetic artistry was not clear,but Lu gave Fu Xuan a high poetic status.Lu Shi-yong advocated the combination of retro and poetic sentiment,which showed a relatively novel poetic tendency in the late Ming Dynasty.From the perspective of his poetics,Fu Xuan poetry elucidated the poetic feelings of the Han and Wei Dynasties,inherited the elegant tradition,and was good at creating a distant realm;Green towering,ancient god,in the history of poetry has a connecting link between the preceding and the following.In the history of acceptance of Fu Xuan's poetry,Lu Shi-yong's evaluation is relatively unique,but it is also suspected of paying too much attention to emotion and rhyme,which is not objective.

关 键 词：陆时雍 《诗镜》 傅玄诗评 复归风雅 情韵 高古 

分 类 号：I206.2[文学—中国文学]