“中国之意”的初试啼声--1940—1950年代现代建筑空间思想的早期中国化探索  

The Initial Attempt of “the Chinese Expression”: The Early Sinicization of Modern Architectural Space Thought in the 1940s-1950s

作　　者：黄庄巍 刘静 邹广天[2] HUANG Zhuangwei;LIU Jing;ZOU Guangtian

机构地区：[1]厦门理工学院土木工程与建筑学院,福建361000 [2]哈尔滨工业大学建筑学院,哈尔滨150000

出　　处：《新建筑》2022年第6期117-123,共7页New Architecture

基　　金：福建省自然科学基金面上项目(2020J01278)。

摘　　要：空间是现代建筑的核心。1940—1950年代,一批中国及海外华人建筑师基于西方现代空间思想与中国文化传统,从构成现代建筑的“空间”与“流动空间”要素入手,在理论建构与设计实践层面进行了一系列中国化探索。基于这一特定历史背景,以格罗皮乌斯早期三位中国学生黄作燊、贝聿铭、王大闳,以及金长铭、张一调等台湾地区和海外华人建筑师为例,通过分析相关人物该时期代表性理论建构和设计实践,梳理和总结早期现代建筑空间思想中国化的源流、路径与特征,以补充中国建筑现代发展进程的整体图景。Space is the core of modern architecture. From the 1940s to the 1950s, based on the modern space thought in the world and Chinese cultural tradition, a group of Chinese architects both home and abroad started with the elements of “space” and “floating space” that constituted modern architecture, carried out a series of Chinese explorations of theoretical construction and design practice. This study analyzes the representative theoretical construction and design practice based on the historical background, and takes three early Chinese students of Gropius, Huang Zuoshen, Ieoh Ming Pei, Dahong Wang, and other relevant Taiwan and overseas Chinese architects such as King Chang-ming and Amos Ih Tiao Chang for example, to sort out and summarize the origin, path and characteristics of the Sinicization of early modern architectural space thought, and complement the overall picture of the modern development of Chinese architecture.

关 键 词：现代建筑设计 台湾地区建筑 大陆迁台建筑师 海外华人建筑师 黄作燊 贝聿铭 王大闳 

分 类 号：TU-092[建筑科学—建筑理论]