论废名小说的审美旨趣——以小说集《竹林的故事》为例  

To Explore the Aesthetic Purport of FEI Ming’s Novels——Taking the Novel Collection Tales in the Forest of Bamboo as an Example

作　　者：钱庭婷 QIAN Tingting(Department of Literature and Journalism,Qinghai Minzu University,Xining 810000,China)

机构地区：[1]青海民族大学文学与新闻传播学院,青海西宁810000

出　　处：《连云港师范高等专科学校学报》2022年第3期54-57,共4页Journal of Lianyungang Normal College

摘　　要：废名既承袭中国古典文风又借鉴了西方现代派手法,中西相融的审美观使其小说呈现出了多元化的审美特质。在他早期的小说集《竹林的故事》中,废名以诗意美和哀愁美为基底,探求着生与死的禅意境界之美,给读者带来了独特而深邃的审美体验,堪称现代文学史上一道独具异彩的风景线。FEI Ming inherits the style of Chinese classical writing and borrows the methods of Western modernism.The combination of Chinese and Western aesthetics makes his novels show diversified aesthetic characteristics.In his early story collection Tales in the Forest of Bamboo,FEI Ming explored the aesthetic perception of the Zen based on the rural and sorrowful aesthetic perception,which brought readers a unique and profound aesthetic experience.It also can be called a unique landscape in the history of modern literature.

关 键 词：小说美学 现代小说 《竹林的故事》 废名 

分 类 号：I207.42[文学—中国文学]