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作 者:邓巧 DENG Qiao(School of Literature,Xihua Normal University,Nanchong Sichuan 637009,China)
出 处:《保山学院学报》2022年第6期49-54,共6页JOURNAL OF BAOSHAN UNIVERSITY
基 金:2020国家社科项目“清代写本之俗语词研究”(项目编号:20BYY176);2014年国家社科后期资助项目“清代手写文献之俗字研究”(项目编号:14HFF022)。
摘 要:《新三字编句解》是清代曾流行于四川民间的知识类蒙书,此抄本保留了大量现今普遍认为的“俗字”。通过对字形结构以及抄手用字特点的分析,总结俗字、俗写与异体字的各自特点,否定了“流行于民间的都是俗字,俗字等同于异体字”的通行观念,阐述三者之间相互联系而又各自区别的关系。可据此了解清代文人在书写时,并非没有正字观念,而是出于简便的考虑,对于应用性强的非正式性材料,选择俗体,而那些具有个人书写习惯且未形成约定俗成之势的字形,只能叫俗写,俗字、俗写与异体字三者不能等而论之。The New Three-character Compilation and Explanationis a kind of children’s textbook that was once popular among the people of Sichuan in the Qing dynasty, this transcript retains a large number of“colloquial characters”. This paper summarizes the differences and relations among colloquial characters, colloquial writing and variant forms, and denies the popular concept that“the non-official characters are all colloquial characters, and colloquial characters are variant forms”. Based on this, we can understand that the literati of the Qing Dynasty chose colloquial styles for the informal materials with strong application because of their simplicity, while those who have personal writing habits and have not formed the conventional trend can only be called colloquial writing.
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