明清文人传统的投射——张大千为人与为画再讨论  

On the Projection of the Tradition of the Literati in the Ming and Qing Dynasties——Another Discussion on Zhang Daqian’s Character and Painting

作　　者：韩晓婷[1] Han Xiaoting(Neijiang Normal University,Neijiang 641199)

机构地区：[1]内江师范学院,内江641199

出　　处：《新疆艺术学院学报》2022年第4期73-79,共7页Journal of Xinjiang Arts University

基　　金：四川省教育厅人文社会科学重点研究基地四川张大千研究中心2020年规划项目,“海外体验与张大千后期艺术人生”(项目编号:ZDQ2020-08)阶段性成果。

摘　　要：从张大千的师承、所处的时代及其个人的性格学养、趣味、生活方式选择上进行分析,探讨张大千为人中何以能以一布衣得天下大名的“异”;生活中真隐出世、坚卧不起的同时洞悉世态人情,以出世的姿态吸引大众从而获取必要的生活资料与悠闲资本,实现出世的同时颇为入世;新的政治、人文与商业文化氛围如何给了张大千摆脱正统意识的基本动力,且为保持传统文人独立性而选择了一种新的画家的生活方式,而这些都能从明清文人身上找到影子。On the basis of the analysis of Zhang Daqian’s inheritance of his painting school,his social and cultural context,his personality,interest and learning,and his style of life,this paper explores into the reason why Zhang Daqian could promote himself into a celebrity as a common person.In his daily life,Zhang daqian secluded himself as a hermit while acquired all knowledge about the secular world.His reclusive life style attracted the attention of public and helped him obtain the necessary means of subsistence and money for his leisure life,so while being a reclusive he practiced the secular life.This paper also explores how the new political,humanistic and commercial cultural atmosphere drove Zhang Daqian to get rid of the orthodox ideology and choose a new way of life to maintain his independent character as a traditional man of letters.This can also be found in the literati of the Ming and Qing Dynasties.

关 键 词：张大千 明清文人 传统 为人 

分 类 号：J212[艺术—美术]