论明清小说评点中绘“云”术语的运用  

On the application of the term“Cloud”in the commentary of novels in the Ming and Qing Dynasties

作　　者：张硕[1] ZHANG Shuo(School of Literature,Nanjing Normal University,Nanjing 210024,China)

机构地区：[1]南京师范大学文学院,江苏南京210024

出　　处：《镇江高专学报》2023年第1期28-32,共5页Journal of Zhenjiang College

基　　金：国家社会科学基金(19ZDA247)。

摘　　要：中国古代小说的创作受史传春秋笔法的影响,常采取“隐而不书”或“隐现交织”的书写策略。小说批评家关注到这一现象,在文本批评中借助与“云”相关的绘画用语予以揭示。画作上的云之图景以平面直观的方式彰显“隐与现”两者的辩证关系,较为符合小说藏与露、隐与现的叙事安排。脂砚斋等人曾广泛利用“烟云模糊”“云罩峰尖”“云龙现影”等绘画术语进行小说评点。The creation of ancient Chinese novels was influenced by the writing techniques of historical biography in Spring and Autumn,and often adopted the writing strategy of“concealing without writing”or“concealing and interweaving”.Critics of novels pay close attention to this phenomenon and reveal it in the text criticism with the help of painting terms related to“cloud”.The picture of cloud in the painting shows the dialectical relationship between“hidden and present”in a flat and intuitive way,which is more consistent with the narrative arrangement of“hidden and exposed”,“hidden and present”in the novel.Zhi Yanzhai and others have widely used painting terms such as“misty clouds”,“cloud shrouding peaks”,“cloud dragons reflecting”to comment on novels.

关 键 词：烟云模糊 云罩峰尖 云龙现影 虚实 隐现 

分 类 号：I207.419[文学—中国文学]