40年代李健吾“国民责任”意识下的文学批评  

Literary Criticism Influenced by LI Jian-wu’s Consciousness of“National Responsibility”in 1940s

作　　者：麻治金 MA Zhi-jin(College of literature and journalism of Yichun University,Yichun 336000,China)

机构地区：[1]宜春学院文学与新闻传播学院,江西宜春336000

出　　处：《宜春学院学报》2022年第11期66-70,共5页Journal of Yichun University

基　　金：江西省高校人文社会科学研究2019年度项目“20世纪40年代京派文学批评研究”(项目编号:ZGW19210)。

摘　　要：“国民责任”的意识成为抗战胜利后李健吾从事“文艺复兴”事业的思想基础。文艺如何实现现实作用,发挥改变现实人心的积极效应,是李健吾自觉为所要肩负起来的更高使命。他同样强调艺术本身应具有的现实主义表现方法,但此时更在乎的是现实主义表现本身的时代政治内涵,强调“文学是时代的反映”这种与京派文学关于“艺术至上”的理念相冲突的文艺观点。这种冲突也使李健吾的文学批评难免存在某种程度上的撕裂,但同时也使其文学批评显得更为厚重。The consciousness of“national responsibility”became the ideological basis for Li Jianwu to engage in the cause of“Renaissance”after the victory of the Anti Japanese war.It is Li Jianwu’s higher mission to realize the realistic role of literature and art and bring into play the positive effect of changing the real people’s minds.He also emphasized the realistic expression method that art itself should have,but at this time,he was more concerned about the political connotation of the era of the realistic expression itself,and emphasized the literary and artistic viewpoint that“literature is the reflection of the times”,which conflicts with the concept of“art supremacy”in Beijing school literature.This conflict also makes Li Jianwu’s literary criticism inevitably torn to some extent,but also makes his literary criticism appear more profound.

关 键 词：“国民责任” 文学批评 政治批评 

分 类 号：I206[文学—中国文学]