生态批评维度下新时代国产类型电影研究  

Study on the Domestic Genre Films in the New Era from the Dimension of Eco-criticism

作　　者：孙祖欣 SUN Zuxin(Art Department,Jiangsu Provincial Federation of Literary and Art Circles,Nanjing 210019,China)

机构地区：[1]江苏省文学艺术界联合会艺术部,南京210019

出　　处：《鲁东大学学报（哲学社会科学版）》2022年第6期64-69,共6页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：江苏省高校哲学社会科学研究一般项目“新时期中国电影主体性问题研究”(2021SJA0464)。

摘　　要：生态批评反对启蒙运动以来的人类中心主义立场,期待以一种更为广阔的视野看待人与自然的关系,实现工业文明时代的和谐共生。新时代类型电影中,灾难片仍然是一片生态荒漠,英雄主义的成功塑造遮盖了本应出现的生态批评和反思;喜剧大片和动画片展现出基础的环保理念,带来一定教育作用;女性电影和少数民族电影采取了与生态批评相似的立场,实现了国产类型电影中的生态救赎。Eco-criticism has opposed the anthropocentric position since the Enlightenment and has expected to view the human-nature relationship in a broader vision and to realize the harmonious coexistence in the period of industrial civilization.In the genre films in the new era,disaster films remain an ecological desert because the successful shaping of heroism overshadows the ecological criticism and reflection that should have emerged.In contrast,comedy blockbusters and animations deliver basic environmental protection ideas and bring about some educational effects.The female and minorities films take the similar position to eco-criticism s,and realize the ecological salvation in the domestic genre films.

关 键 词：生态批评 生态电影 类型电影 

分 类 号：J905[艺术—电影电视艺术]