集体症候与时代新声——由《我们夫妇之间》的“!”说开去  

Collective Symptoms and the New Voice of the Times:Discussion Based on the “!” in Between Our Couple

作　　者：叶奕杉 YE Yishan(College of Arts,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《东莞理工学院学报》2022年第6期9-17,共9页Journal of Dongguan University of Technology

摘　　要：尤为密集的“!”是《我们夫妇之间》突出的文本现象,其生成语境与书写意图皆有其特殊性,是透视个性创作与集体话语的一面镜子。频频出现的感叹号帮助文本构成了潜在的双重视角,较为全面地呈现了进城干部的城市体验、革命生活和精神动向,导向了对乡村与城市、干部与群众、革命与婚姻等问题的思考。感叹号的高频使用是建国初期文学的整体症候,它承接了五四和抗战时期文学的写作策略和模式,亦是“文革”中文艺统制的先声。这些高频使用感叹号的创作既是对集体话语的个人回应,也是对世界现代、后现代思潮本土化的开掘,孕育着中国现当代文化和文学的无限可能。The particularly dense “!” is a prominent text phenomenon inBetween Our Couple.Its generation context and writing intention have their own particularities,and they are a mirror that sees through individual creation and collective discourse.The frequent exclamation mark help texts constitute a potential dual perspective,which more comprehensively presents the urban experience,revolutionary life and spiritual trends of the cadres entering the city,and leads to thinking about the rural and urban,cadres and the masses,revolution and marriage and other issues.The high-frequency use of exclamation marks is an overall symptom of literature in the early days of the founding of the People’s Republic of China.It inherits the writing strategies and patterns of literature during the May Fourth Movement and the Anti-Japanese War.The creation of these high-frequency use of exclamation marks is not only a personal response to collective discourse,but also an excavation of the localization of the world’s modern and post-modern thoughts,gestating the infinite possibilities of modern and contemporary Chinese culture and literature.

关 键 词：《我们夫妇之间》 感叹号 萧也牧 集体话语 

分 类 号：I207.42[文学—中国文学]