新诗标题的现代变革  

The Modern Reform of the Titles of Modern Chinese Poetry

作　　者：王泽龙[1] 崔思晨 WANG Zelong;CUI Sichen(School of Literature,Poetry Research Center,Central China Normal University,Wuhan 430079,China)

机构地区：[1]华中师范大学文学院、诗歌研究中心,武汉430070

出　　处：《北京师范大学学报（社会科学版）》2022年第6期73-83,共11页Journal of Beijing Normal University(Social Sciences)

基　　金：国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库(1917-1949)”(16ZDA240)。

摘　　要：诗歌标题作为新诗的组成部分,形态多样,功能丰富,特征鲜明。新诗标题的现代变革,以中心词制题、意象性命题和开放性形态确立其基本面貌。与传统诗歌范式化标题不同,新诗标题以修辞的运用、叙述与抒情的参与和语言符号意蕴空间的建构,突显标题功能。新诗标题与诗歌内容之间形成了紧密的关联,诗人常常将诗旨和隐喻嵌入标题,诗歌标题与内容在诗歌意义上相互生成。诗人自我意识的突出使标题具有个性化色彩和风格化特征,时代的语境也影响着标题的价值取向。As an integral part of modern Chinese poetry,the titles have various forms,diversified functions and distinctive features.The modern reform of the titles of the modern Chinese poetry establishes its basic features with its system of central words,symbolic propositions and open forms.Different from the normalized titles of traditional poetry,the titles of modern Chinese poetry highlight the functions of the titles through the use of rhetoric,the participation of narration and lyricism,and the construction of the implication space of language symbols.There is a close relationship between the titles and the content of the modern Chinese poetry.Poets often embed the tenor and metaphor in the titles,and the titles and content of the poems generate each other in the sense of poetry.The prominence of the poets’self-consciousness enables the titles to show the personalized and stylized characteristics,and the context in a particular era also affects the value orientation of the titles.

关 键 词：新诗标题 现代变革 符号功能 个性化 风格化 

分 类 号：I206.6[文学—中国文学]