上海“文化东进”背景下的本土设计团队实践——以上海博物馆东馆新建工程为例  

LOCAL DESIGN TEAM PRACTICE UNDER THE BACKGROUND OF aCULTURAL EASTWARD MOVEMENTo IN SHANGHAI:A CASE STUDY OF THE SHANGHAI MUSEUM EAST PROJECT

作　　者：张溯之 肖蕴峰 ZHANG Suzhi;XIAO Yunfeng(Rurban Studio,Tongji Architectural Design(Group)Co.,Ltd.)

机构地区：[1]同济大学建筑设计研究院(集团)有限公司若本建筑工作室

出　　处：《建筑实践》2022年第5期30-37,共8页Architectural Practice

摘　　要：上海的文化设施建设经过几十年的发展,现已颇见成效,无论是数量还是规模,在全国范围内都处于领先行列。“十三五”时期,上海实施“跨江东进、越河北上”战略,即向黄浦江以东、苏州河以北,聚焦功能、提升能级,建成一批具有国际水准的文化设施,逐步形成“一轴双心、沿江沿河、一环多圈”的城市文化空间发展新格局。在此背景下,作为上海博物馆本馆的拓展和延伸,上海博物馆东馆新建工程的建设提上日程。After decades of development,Shanghai has achieved a lot in the construction of cultural facilities both in terms of quantity and scale,and it is in the leading ranks nationwide.During the“13th Five-Year Plan”period,Shanghai implemented the strategy of“crossing Huangpu River to the east and crossing Suzhou Creek to the north”,that is,focusing on functions and upgrading the energy level,thereby building a number of cultural facilities of international standards,and gradually forming a new pattern of city cultural space development with“one axis and two centers,along the Huangpu River and Suzhou Creek,forming one ring and multiple circles”.In this context,as the expansion and extension of the main pavilion of the Shanghai Museum,the construction of the Shanghai Museum East is put on the agenda.

关 键 词：上海博物馆 城市文化空间 国际水准 新建工程 东馆 本土设计 发展新格局 苏州河 

分 类 号：G26[历史地理—考古学及博物馆学]