方寸之间 见微知著——吕林的“拓印版画”  

Knowing How Things will Develop through a Sign: Lv Lin’s “Rubbing Print” and His Path of Exploration

作　　者：宁佳[1] Ning Jia

机构地区：[1]四川美术学院美术馆

出　　处：《美术》2022年第12期99-103,共5页Art Magazine

基　　金：2022年度重庆市艺术科学研究规划项目“‘延安鲁艺’思想对川渝版画发轫路径的塑造及其启示(1938—1949年)”(项目编号:22ZD05)的阶段性成果。

摘　　要：吕林丰富多元的版画艺术创作,不仅折射出自身的艺术主张,更展现了其艺术思想的自觉。本文从吕林一系列的石膏版画拓片作品入手,强调从个体出发,探究其主观努力与客观环境的冲突与调和,进而指出,从文化属性上看,作品体现出艺术家对民族艺术养分的汲取;从艺术观照的维度上看,作品是对所处现实生活的挖掘;从艺术观念上看,是在中西文化融合背景下对本土现代性的颇有意味的一种艺术实践。基于这样的考量,本文将吕林的艺术创作置于中国版画艺术的形式创新历程中加以考察、比较,以此廓清他的探索路径、艺术主张,以及艺术创作背后的推动要素。Various prints created by Lv Lin demonstrate the artist’s thoughts about art.By analyzing Lv’s plaster print rubbings,this papers explores the conflict and reconciliation between the artist’s efforts and the environment,so as to point out that in terms of culture,artworks reflect the artist’s absorption of national art;that in terms of art,artworks are created by exploring real life;and that in terms of ideas,artworks represent a practice of local modernity in the integration of Chinese and western cultures.Besides,this paper analyzes Lv’s artworks by putting them in the process of creating new print forms,so as to understand his exploration path,thoughts of art and drivers behind his creation.

关 键 词：吕林 汉画像砖 拓印版画 

分 类 号：J209[艺术—美术]