全景敞视视域下女性的生存悲剧演绎——以《妻妾成群》《红粉》为例  

Interpretation of the Tragedy of Women’s Existence from the Panoramic Open Perspective:Wives and Concubines and Rouge and Powder as Examples

作　　者：谢文军 蔡颂[1] XIE Wenjun;CAI Song(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中北大学学报（社会科学版）》2023年第1期17-22,共6页Journal of North University of China：Social Science Edition

基　　金：湖南省社会科学基金智库重大项目:宣传思想文化领域加强党的政治监督研究(20ZWA06)。

摘　　要：在苏童小说中,女性的生存哲思是缠绕在叙事话语中的一条重要纽带。作者擅长从具体的场域探询女性生存的种种悖谬性,显示出全景敞视建筑下女性生存之“困”。这种情境下,权利、身体、自我交织成生存之网,拂缀出女性在规训下的凝视重压、“他者”的欲望掌控和自身的攀缠依附下的生存困窘,以及命运陨落的悲剧,揭示出微观权力规制下女性的生存之痛。小说在对女性生存悲剧的举证和探询中,不仅传递出创作主体对女性生命价值的人道主义之同情,也为读者解读苏童小说开拓了新的学术视域。In Su Tong’s novels,women’s survival philosophy is an important theme.The author is good at probing into various paradoxes of women’s existence from specific fields,showing the“difficulties”of women’s existence under panoramic open architecture.In this situation,rights,body and self interweave into a net of survival,which reveals the pain of women’s survival under the regulation of micro-power,such as the pressure of women’s gaze under discipline,the embarrassment of survival under the control of the desire of“the other”and their own clinging and dependence,and the tragedy of fate.In the proof and cross-examination of the tragedy of women’s existence,it not only conveys Su Tong’s humanitarian sympathy of the value of women’s life,but also provides a new perspective for readers to interpret Su Tong’s novels.

关 键 词：苏童 《妻妾成群》 《红粉》 女性 生存悲剧 

分 类 号：I207.42[文学—中国文学]