影视史学视域下的《大决战》影、剧比较谈  

Comparative Research on the Film and TV Series of The Decisive Engagement from the Perspective of Historiophoty

作　　者：贺嘉年 HE Jianian(Department of Chinese Language and Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学中文系,上海200433

出　　处：《中北大学学报（社会科学版）》2023年第1期72-76,82,共6页Journal of North University of China：Social Science Edition

摘　　要：电影《大决战》与同名电视剧均对解放战争史进行了全景展现,在影视史学研究中具有重要价值。对比两部作品不同的史料呈现形式与影像生产逻辑,电影《大决战》制造出与文献史料高度符合的图像群,电视剧《大决战》则表现出书写文本的高度叙事性;电影的拍摄制作可被视作基于再现原则的史学实践,而电视剧的战争描写是基于现代影像技术所生产的拟像文本。这种差异的背后是隐喻与转喻两套不同的历史叙述范式。影、剧文本的互文比照,对革命历史体裁影视创作具有重要借鉴意义。Both the film The Decisive Engagement and the TV series of the same name present a panoramic view of the history of the War of Liberation,which is of great value in Historiophoty.This article compares the different representation forms of historical materials and the logic of the image production between these two works.The film creates a number of images that are highly consistent with the documentary history,while the TV series exhibits the narrative logic of a written text;The production of film can be regard as a historiographical practice based on representation principle,while the depiction of the war in the TV series is simulacra based on modern film technology.Behind these differences are two different historical narrative:metaphor and metonymy.The intertextual comparison of film and TV series has important influence for the creation of film and television in the revolutionary history genre.

关 键 词：《大决战》 影视史学 历史叙述 

分 类 号：J9[艺术—电影电视艺术]