非人情、白云乡与木瓜意象——论夏目漱石小说《草枕》对老庄思想的接受  

Inhumanity,Cloud Scenery and the Image of Papaya:On Natsume Soseki’s Acceptance of Thoughts of Lao-Tzu and Chuang-Tzu in“Kusamakura”

作　　者：杨本明[1] 董春燕[2] YANG Benming;DONG Chunyan

机构地区：[1]上海理工大学外语学院,上海200093 [2]四川外国语大学日语学院,重庆400031

出　　处：《外国语文》2022年第6期51-58,共8页Foreign Languages and Literature

基　　金：国家社会科学基金项目“夏目漱石文学叙事形态的现代化转型研究”(16BWWW027);国家社会科学基金中华学术外译项目《中国科学史》(20WZSB020)的阶段性成果。

摘　　要：夏目漱石是享誉日本明治文坛的“国民作家”,也是日本近代文学史上的代表性作家之一。夏目漱石一生酷爱汉文学,尤其是老子、庄子的文学作品。老庄思想深深地影响了他的文学写作,成为他“非人情”美学创作的重要基石。本文以夏目漱石小说《草枕》中的“非人情”为例,指出“非人情之旅”“非人情之境”“非人情之悟”分别契合了老庄思想中无道则隐、桃源情结、弃智守拙的哲学内涵,体现了夏目漱石文学对老庄思想的接受。老庄思想在异域的传播也为中国文学的对外译介及外语教学提供了借鉴。Natsume Soseki is a well-known“national writer”in the Meiji era and also he is one of the representative writers in modern Japanese literature.Natsume Soseki loves Chinese literature in all his life,especially the literary works of Lao-Tzu and Chuang-Tzu.The thought of Lao-Tzu and Chuang-Tzu deeply influences Natsume Soseki’s literature and become an important cornerstone of Natsume Soseki’s“inhumane writing”.This article takes the“inhuman feelings”in Natsume Soseki’s representative work“Kusamakura”as an example,and points out that“the inhumane journey”,“the inhumane realm”and“the inhumane perception”respectively refers to the thoughts of retiracy,his love for peach blossom land and his low-toned.This article will analyze the acceptance of the thoughts Lao-Tzu and Chuang-Tzu Natsume Soseki’s literature.

关 键 词：非人情 白云乡 木瓜意象 草枕 

分 类 号：I313.074[文学—其他各国文学]