元谱与坊本:明清南曲谱中的遵古与从俗  

The Yuan Music Score and Folk Music Score:the Southern Music Score’s Obeying the Ancient or Following the Folk’s in Ming and Qing Dynasties

作　　者：黄金龙 Huang Jinlong

机构地区：[1]中山大学中文系,广东广州510275

出　　处：《艺术探索》2022年第6期98-105,共8页Arts Exploration

基　　金：国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(江苏卷)”(19ZD05);第69批中国博士后科学基金面上资助项目“昆曲曲牌‘腔词关系’研究”(2021M693687);2021年度中国索引学会规划课题“昆曲曲牌索引编纂研究”(CSI21B02)。

摘　　要：元谱与坊本集中体现了明清南曲谱中遵古与从俗思想的演进。遵古与从俗思想受到三方面的影响:一是曲谱编纂者采用的文献材料;二是曲家对于音乐形式变化的态度;三是曲家个人的曲学思想。明清曲家编纂曲谱的过程中,遵古和从俗的思想是不断变化的,曲家个人有着不同倾向。这也是明清曲家探索建立南曲谱规范的一种思想体现。The Yuan music score and the folk music score epitomize the evolution of the Southern music score’s obeying the ancient and following the folk’s in the Ming and Qing dynasties. Whether it be obeying the ancient or following the folk’s, there were three effects as follow: first, the documentary materials used by compilers of music scores;second, the composer’s attitude towards the changing of the musical form;third, the composer’s personal thinking on music. In the process of compiling musical scores by composers in Ming and Qing dynasties, the idea of obeying the ancient or following the folk’s is often changing, and an individual composer has his tendency.This is also an ideological embodiment of the composers in Ming and Qing dynasties to explore the norms for the Southern music score notation.

关 键 词：元谱 遵古 坊本 从俗 南曲谱 

分 类 号：K248[历史地理—历史学] I207.3[历史地理—中国史] J617[文学—中国文学]