论诺瓦利斯“爱”的概念——以《塞斯的弟子们》和《奥夫特丁根》为例  

On Novalis’s Concept of Love: The Cases of Die Lehrlinge zu Sais and Henrich von Ofterdingen

作　　者：王淑娇 Wang Shujiao(Cultural Institute,Beijing Academy of Social Sciences,Beijing,China)

机构地区：[1]北京市社会科学院文化研究所,北京100101

出　　处：《外国文学》2022年第6期59-70,共12页Foreign Literature

摘　　要：作为实现完整性与普遍和谐的重要媒介,“爱”是德国早期浪漫派理论体系的中心原则和关键概念。鉴于爱的理想尤其在诺瓦利斯作品中形成了早期浪漫派关于爱的核心内容的最初模式,本文重点选择诺瓦利斯的小说《塞斯的弟子们》和《亨利希·封·奥夫特丁根》,从两性之爱、人与自然的相爱关系、爱的神圣化三个方面讨论“爱”的概念内涵与文本表达,阐释爱如何在世俗化/感性化与精神化/神圣化两个维度上成为促进人性完整、人与自然和谐、有限与绝对相融合的重要元素。As the most important medium to achieve integrity and universal harmony,“love” is the central principle and key concept of the theoretical system of Early German Romanticism. Since the ideal of love, especially in Novalis’ works, formed the initial model of the core content of love in the Early German Romantic, this paper focuses on Novalis’ s novels Die Lehrlinge zu Sais and Henrich von Ofterdingen to discuss the conceptual connotation and text expression of “love” from three aspects: the love between men and women, the love relationship between man and nature and the sanctification of love, interpreting that love has become an important link to promote the integrity of human nature, the harmony between man and nature, and the integration of limitation and absolute in the two dimensions of secularization/sensibility and spiritualization/sanctification.

关 键 词：诺瓦利斯 爱 完整性 完美人性 普遍和谐 

分 类 号：G0[文化科学]