“佳人才子”叙事策略的新构——晚清与明治政治小说的叙事比较  

A new construction of the narrative strategy of “beauties and talents” novels——a narrative comparison on the political novels in the Late Qing Dynasty and Meiji

作　　者：蔡鸣雁[1] CAI Ming-yan(School of foreign languages,Qingdao University of Science&Technology,Qingdao 266061,China)

机构地区：[1]青岛科技大学外国语学院,山东青岛266061

出　　处：《青岛科技大学学报（社会科学版）》2022年第4期83-89,共7页Journal of Qingdao University of Science and Technology(Social Sciences)

摘　　要：“佳人才子”叙事本是中国传统文学中描写男女爱情的主要叙事策略,传入日本后被明治政治小说的作者接受、借用,并根据本国的需要进行了变革。变革后的“佳人才子”叙事成为明治政治小说的代表性叙事策略,这一叙事策略又被晚清政治小说的作者吸收,并在晚清本土文化中再次实现新的文化生长。“佳人才子”叙事成为晚清政治小说和明治政治小说共同采用的叙事策略。从文化关系上可以将这一过程视作“佳人才子”传统叙事模式的现代回迁。The narrative of“beauties and talents”is the main narrative mode describing the love between men and women in traditional Chinese literature. After it was introduced to Japan,it was accepted and borrowed by the authors of Meiji political novels and reformed according to the needs of the country. The reformed narrative of“beauties and talents”became the representative narrative strategy of Meiji political novels,which was absorbed by the authors of political novels in the late Qing Dynasty and realized the new cultural growth in the local culture of the late Qing Dynasty.The narrative of“beauties and talents”became the narrative strategy adopted by the political novels in the late Qing Dynasty and Meiji. Therefore,from the perspective of cultural relations,this process can be regarded as the modern return of“beauties and talents”.

关 键 词：晚清 明治 政治小说 “佳人才子” 叙事策略 

分 类 号：I106[文学—世界文学]