晚明诗学研究现代范式的确立及影响  

Establishment of the Modern Paradigm of the Late Ming Poetic Studies and its Impact

作　　者：王逊[1] WANG Xun(College of Liberal Arts,Yangzhou University,Yangzhou 225001,China)

机构地区：[1]扬州大学文学院,江苏扬州225001

出　　处：《湖南大学学报（社会科学版）》2023年第1期106-112,共7页Journal of Hunan University(Social Sciences)

基　　金：国家社会科学基金项目:晚明诗学现代阐释研究(20BZW097);扬州大学“高端人才支持计划”资助项目。

摘　　要：当下的晚明诗学研究多受一种共性的思维方式与研究方法统辖,此即“复古—革新”模式,具体涉及阵营的划分、价值判断标准的确立,以及发展轨迹的梳理。古人虽无复古/革新对立的明确表述,但作为两种具有代表性的创作思潮,它们的存在并广泛发挥影响却是不争的事实。至民国之时,时人于继承传统理路的同时,也在种种因素影响下不断偏离轨道。首先是对复古思潮的全面批判,进而在进步史观的影响下,二者分别被贴上“进步”与“落后”的标签,有关演进轨迹的表述也被改造为革新对于复古的对抗和取代,此后更被赋予历史发展的必然性。学人对其间缺失虽多有反思,但所谓“突破”仅是观点/结论层面的个别调整,未曾实现思维方式的更新,扬革新而抑复古的基调始终如一,重建之路依然任重而道远。The current studies of the late Ming poetics are governed by a common way of thinking and research method,which we can call the“retro-revolutionary”model.To a certain extent,the relevant understanding is in line with traditional cognition,but it is even more enriched and clarified by a group of scholars since modern times on the basis of a certain general understanding in the past,which inevitably has many distortions.Although we have reflected on the shortcomings,it is difficult to transcend them because we are subject to a kind of preconception,and we are even deeply influenced by them without knowing it,and the way to correct them is to remove the external fetters and base on the basic literature.

关 键 词：晚明诗学 现代范式 复古 革新 

分 类 号：I206.2[文学—中国文学]