文化生态视野下的“非遗”手工艺数字化批评——以岭南灰塑虚拟博物馆为例  

Criticism of the Digitization of Intangible Cultural Heritage Handicrafts from the Perspective of Cultural Ecology——Take Lingnan Grey Sculpture Virtual Museum for Example

作　　者：姚丹 梁凯婕 

机构地区：[1]广东工业大学艺术与设计学院

出　　处：《创意与设计》2022年第6期55-61,共7页Creation and Design

基　　金：国家社科基金艺术学项目(2020BH0097);广东工业大学“本科教育工程”项目(广工大校字[2021]153号)。

摘　　要：“数字化”成为国家文化战略的重要组成部分,数字技术将逐渐成为手工艺评价无法忽视的、新增的参数指标。本文创造性地从文化生态视野作为切入点,对非物质文化遗产手工艺数字化展开批评研究,结合具体案例岭南灰塑虚拟博物馆进行深入剖析。文章从建立非遗手工艺数字化平台的意义、艺术特色以及价值三个维度进行分析、批评。总结文化生态视野下非遗手工艺数字化的启示:通过数字化技术增强非遗手工艺在当代社会的适应性,更有利于非遗手工艺的传承与保护,以期对维护文化多样性以及寻找一条中国民族文化的复兴之路提供理论价值与实践意义。Digitalization has become an important part of the national cultural strategy,and digital technology will gradually become a new parameter that cannot be ignored in handicraft evaluation.This paper creatively starts from the perspective of cultural ecology,conducts critical research on the digitization of intangible cultural heritage handicrafts,and conducts an in-depth analysis of the specific case of Lingnan Grey Sculpture Virtual Museum.The article analyzes and criticizes the significance,artistic characteristics and aesthetic value of establishing a digital platform for intangible cultural heritage handicrafts.Summarizes the enlightenment of digitalization of intangible cultural heritage handicrafts from the perspective of cultural ecology:enhancing the adaptability of intangible cultural heritage handicrafts in contemporary society through digital technology is more conducive to the inheritance and protection of intangible cultural heritage handicrafts,to maintain cultural diversity and find a revival of Chinese national culture.The road provides theoretical value and practical significance.

关 键 词：文化生态 非遗 数字化 岭南灰塑 

分 类 号：TP399[自动化与计算机技术—计算机应用技术] J3-28[自动化与计算机技术—计算机科学与技术]