敦煌本宅经吉法布局的空间实践研究  

A Study of the Spatial Practices of the Auspicious Layout of the Dunhuang Manuscripts of Zhaijing

作　　者：江牧[1] 陈蜜 

机构地区：[1]苏州大学艺术学院

出　　处：《创意与设计》2022年第6期62-70,共9页Creation and Design

基　　金：国家社科基金艺术学项目(17BH156)。

摘　　要：敦煌本宅经中的阴阳、五姓、八卦宅布局法在分类方式、吉凶标准、实践流程方面存在着明显差异,但3种布局法都具备“断属性—辨方位—布设施”的空间实践逻辑,既体现了追求人、宅契合的整体性原则,又体现了追求人、宅关联的差异化理念,并将“趋吉避凶”理念的抽象性与具体性进行了有机结合。通过分析敦煌本宅经中阴阳、五姓、八卦宅吉法布局的空间实践,不仅有助于探究唐宋民间多元统一的吉境布局模式,还能研究不同吉凶标准在空间图式上的差异化表现,以及反思传统择吉理念对于当今人居环境营造的意义与启示。There are obvious differences in the way of classification, criteria of good and bad luck, and practice process in the layout of Yinyang, Wuxing, Bagua in the Dunhuang Manuscripts of Zhaijing, but all three layouts have the spatial practice logic of "Judging properties-Identifying directions-Arranging facilities ". It embodies both the overall principle and the differentiated concept of pursuing human and house association, and organically combines the abstraction and concreteness of the concept of "avoiding bad luck". The analysis of the spatial practice of the layout of Yinyang, Wuxing and Bagua in the Dunhuang Manuscripts of Zhaijing, not only does it help to explore the multifaceted and unified layout pattern of the Tang and Song, but also studies the differentiation of different criteria of good and bad luck in the spatial pattern, as well as to reflect on the significance and inspiration of the traditional concept of choosing good luck for the creation of the Chinese living environment today.

关 键 词：敦煌本宅经 趋吉避凶 布局法 空间实践 人居理念 

分 类 号：TU-023[建筑科学—建筑理论]