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作 者:韩晓莉[1] HAN Xiao-li(School of History,Capital Normal University,Beijing 100089,China)
出 处:《山西大学学报(哲学社会科学版)》2022年第6期118-127,共10页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:北京社会科学基金一般项目“20世纪以来北京娱乐文化生活与社会变迁研究”(17LSB004)。
摘 要:卢沟桥事变后,由于中国守军的迅速溃败,北平很快被日军占领,北平娱乐业在日伪政府的要求下恢复了营业。北平社会面对沦陷的异常“平静”和娱乐业的复兴在一定程度上反映了民众突然面对“沦陷”的茫然甚至是逃避心态。随着战争形势变化,北平经济状况急剧恶化,北平娱乐业畸形繁荣的背后是众多从业者的生计艰难和民众的“苦中作乐”,这强化了民众对“沦陷”的感受。与此同时,日伪政府对娱乐业的管控和粗暴干涉进一步激发了从业者和民众的不满与反抗情绪。可以说,随着北平民众对“沦陷”体会日深,他们参加娱乐的心态在发生变化,即使在娱乐场中也可以感受到强烈的民族意识和民族情感。After the Marco Polo Bridge incident,Beiping was immediately occupied by the Japanese army with the quick retreat of the Chinese army.The entertainment business of Beiping was restored as demanded by Japanese puppet government.The extreme calmness of the society and the revival of the entertainment business,to some extent,reflected the people’s bewilderment and even escape mentality in the face of being occupied.As the war situations changed,the economy of Beiping deteriorated.What was behind the flourishing of the entertainment business of Beiping was the harsh livelihood of many businessmen and the mentality of“finding some fun in the bitterness”among the populace.This reinforced the feelings of the populace towards“being occupied.”At the same time,the regulation and brutal intervention of Japanese puppet government further provoked the frustration and resistance of the working men and the populace.So to speak,as Beiping people felt more about the“being occupied,”their mentality towards entertainment was changing,too.The strong nationalist consciousness and sentiments could be felt even in the entertainment business.
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