论艾萨克·阿西莫夫《基地三部曲》的文化记忆建构  

On the Reconstruction of Cultural Memory in Isaac Asimov's The Foundation Trilogy

作　　者：张媛 杨冬梅 ZHANG Yuan;YANG Dong-mei(School of Humanities,Shenzhen University,Shenzhen Guangdong,518060,China;School of Intenational Education,Qiqihar University,Qiqihar Heilongjiang 161006,China)

机构地区：[1]深圳大学人文学院,广东深圳518060 [2]齐齐哈尔大学国际教育学院,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2022年第12期14-18,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：广东省哲学社会科学规划课题:后人类理论生成机制与批评范式研究(GD19CWW07);2021年度黑龙江省属高等学校基本科研业务费科研项目:俄罗斯科幻文化的发展经验与借鉴启示研究(145109606)

摘　　要：《基地三部曲》是美国著名作家阿西莫夫的科幻经典.阿西莫夫以未来史的框架将过去、现在、未来串联成新视野,他将过往重塑,赋予重塑因素以理想性,现实需要理想的指引,理想的未来又基于记忆重构生成新现实,文化记忆的维度在其中扮演重要角色.通过基地历史与心理史学,"谢顿计划"被建构为基地的文化记忆,"第二基地"记忆是其主要的记忆内容,基地依据现实重构这一集体记忆.个体创伤记忆潜伏于集体记忆中,它以阻碍-塑造的双重力量,引导人们反思身处的文化、呼唤主体间记忆的平等交流.集体记忆与个体记忆的重构、互动共同助力人类身份的再认知.The Foundation Trilogy is a science fiction classic by the famous American authorAsimov.Asimov uses the framework of future history to link the past,present,and future into a new vision.He reshapes the past and gives idealism to the reshaping factors;reality needs ideal guidance,and the ideal future generates a new reality based on memory reconstruction,in which the dimension of cultural memory plays an important role.Through the history of Foundation and psychohistory,the Seldon Plan is constructed as the cultural memory of the Foundation,and the memory of the Second Foundation is its main memory content,and the Foundation reconstructs this collective memory based on reality.Individual traumatic memory is latent in collective memory,and it leads people to reflect on the culture they live in and calls for equal communication of memory between subjects with the dual power of hindering and shaping.The reconstruction and interaction of collective memory and individual memory together contribute to the re-cognition of human identity.

关 键 词：艾萨克·阿西莫夫 《基地三部曲》 文化记忆 

分 类 号：I712.074[文学—其他各国文学]