从形式主义美学看山西民间门墩石狮造像——以山西古民居李家大院为例  

The Study of Stone Lion Image at the Folk Gate from the Perspective of Formalism Aesthetics:A Case Study of the Ancient Folk House Lee’s Grand Courtyard in Shanxi Province

作　　者：姚瑶 顾迎庆 YAO Yao;GU Ying-qing(School of Chinese Painting and Calligraphy,China Academy of Art,Hangzhou 310002,China)

机构地区：[1]中国美术学院中国画与书法艺术学院,浙江杭州310002

出　　处：《山西青年职业学院学报》2022年第3期93-95,100,共4页Journal of Shanxi Youth Vocational College

摘　　要：石狮造像是民间艺术的汇聚,家传文化的缩影,其本身构成了一种特定的审美形式,影响了当代艺术生活和艺术创造。山西民间门墩石狮造像有其特有的审美情趣,形成了超越时间与空间的跨时代的艺术体系。通过探究西方形式主义美学与中国画形式美学的联系,将传统形式与现代内容相结合,将审美形式与自然物相统一,以期为现代绘画艺术提供启示与展望。The image of the stone lion is a convergence of folk art and an epitome of family culture. This in itself constitutes a specific aesthetic form and influences contemporary art life and art creation. The stone lion at the Folk Gate in Shanxi Province has its own distinct aesthetic taste and forms a system of trans-epoch art that transcends time and space. By exploring the connection between the major aesthetics of Western forms and the formal aesthetics of Chinese painting,combining traditional forms with modern content and unifying the phases of aesthetic forms and natural objects, it will shed light and promise on modern painting.

关 键 词：门墩石狮造像 李家大院 形式主义 

分 类 号：J306[艺术—美术]