《慈乌图》中乌鸦到慈乌意象的文化生成及伦理转换  

Analysis on the Evolution of the Positional Relationship Between the Illustrations and Texts of Ancient Books

作　　者：程波涛[1] 檀梓萱 Chengbotao;Tanzixuan(Faculty of Arts,Anhui University,230601)

机构地区：[1]安徽大学艺术学院,安徽合肥230601

出　　处：《内蒙古艺术学院学报》2022年第4期52-58,共7页Journal of Inner Mongolia Arts University

基　　金：国家社科基金艺术学重大项目《中华传统艺术的当代传承研究》(项目编号:19ZD01)阶段性研究成果;安徽大学博士科研启动经费项目(项目编号:JO1003248)系列研究论文。

摘　　要：慈乌作为一种文化意象,经常在传统礼俗中被应用和传播。人们普遍将其与传统社会中的道德理念紧密关联,譬如,慈乌反哺的本能行为,即有民间俗信中人设伦理的意义“在场”。可以说,从“乌鸦”到“慈乌”意象的转换,经历过文化生成、衍化与流变的复杂过程,关涉到神话传说、礼仪习俗、人伦道德等多重文化的叠加与统合。这就需要从民俗学、伦理学等视角加以把握,并在特定的文化情境下,将神话传说、诗文绘画中“乌鸦”的意象与孝道伦理结合加以审视,以“乌鸦”意象生成、衍变与文化应用为基点,才能更真切地探寻“慈乌”意象所潜在的社会心理和接受机制。As an image in folk art, Ciwu is generally closely related to the moral concept in traditional society, for example, Ciwu is fed back, that is, the meaning of human ethics in folk beliefs is "present". The transformation from the "crow" to the "Ciwu" image has its own complex process of derivation and flux, involving the superposition and integration of multiple cultures such as myths and legends, ceremonial customs, and human morality. This requires grasping from multiple perspectives such as folklore and ethics, and in a specific cultural context, combining the "crow" imagery in myths, legends, poetry and painting with filial piety ethics, and taking the generation, derivation and cultural application of crow imagery as the base point, in order to more truly explore the potential social psychology and acceptance mechanism of Ciwu imagery.

关 键 词：慈乌 俗信 孝道伦理 生成 接受 

分 类 号：G122[文化科学]