论《林兰香》中的死亡叙事  

On the Death Narrative in the Novel of Lin Lanxiang

作　　者：李捷鹏 LI Jie-peng(College of General Education,Guangdong University of Science and Technology,Dongguan,Guangdong 523668,China)

机构地区：[1]广东科技学院通识教育学院,广东东莞523668

出　　处：《石家庄学院学报》2023年第1期101-108,共8页Journal of Shijiazhuang University

基　　金：广东科技学院2020年度校级科研项目“明末清初长篇世情小说死亡叙事研究”(GKY-2020KYYBW-25);广东科技学院2021年度校级科研项目“性别视角下明清世情小说女性悲剧研究”(GKY-2021KYYBW-60)。

摘　　要：清代长篇世情小说《林兰香》中有多处死亡叙事,这些死亡叙事是小说的有机组成部分。据布局来看,死亡叙事多发生在下半部分,焦点人物正是小说主人公燕梦卿。在作用方面,死亡叙事在刻画人物形象、丰富审美意蕴、增强文化蕴含等方面起到了重要作用。《林兰香》在世情小说中非常独特,有着突出的感伤色彩,这也得益于小说中的死亡叙事。There are many death narratives inLin Lanxiang, an important human-feelings novel in the Qing Dynasty. These death narratives are organic parts of the novel. From the layout point of view, the death narrative mostly occurs in the lower half, and the focus character is Yan Mengqing, the protagonist of the novel. In terms of function, death narrative plays an important role in depicting characters, enriching aesthetic meaning, and enhancing cultural implication.Lin Lanxiangis a very unique novel in the human-feelings ones, having a prominent sentimental color, which also benefits from the death narrative in it.

关 键 词：《林兰香》 死亡叙事 世情小说 特点 感伤色彩 

分 类 号：I207.419[文学—中国文学]