沉浸式交互设计视角下民间刺绣的传播  

The Propagation of Folk Embroidery from the Perspective of Immersive Interactive Design

作　　者：黄永胜 廖璇[1] HUANG Yong-sheng;LIAO Xuan

机构地区：[1]贵州民族大学传媒学院,贵州贵阳550025

出　　处：《民族艺林》2022年第4期12-21,共10页Journal of Ethnic Art

基　　金：2021年度贵州省社会科学院省领导指示研究课题“融媒体视域下建设多彩贵州民族特色文化强省研究”(项目编号:SZLH2102)阶段性成果。

摘　　要：民间刺绣作为中华民族民俗文化的物化体现,承载着中华民族的文化信仰。数字时代下民间刺绣的传播以交互性为动力,以技术性为抓手,沉浸式交互设计成为促进消费的主流吸睛手段。文章对交互设计传播中的民间刺绣呈现方式进行了探讨,进而提出交互设计传播中民间刺绣的发展机制,激励刺绣和沉浸式交互设计更好融合。As the materialized embodiment of the Chinese folk culture,folk embroidery carries the cultural belief of the Chinese nation.With the development of the times,the decrease of inheritors,the loss of traditional skills and other factors,the dissemination and study of folk embroidery is imminent.In the digital age,the propagation of folk embroidery is driven by interaction and technology as the starting point,and immersive interaction design has become the mainstream means to promote consumption.This paper intends to discuss the presentation mode of folk embroidery in the communication of interactive design,and then put forward the development mechanism of folk embroidery in the interactive design communication,so as to encourage the better integration of embroidery and immersive interactive design,and form a powerful push for the external communication of Chinese culture.

关 键 词：沉浸式 交互设计 传播 民间刺绣 

分 类 号：J80[艺术—戏剧戏曲] J81