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作 者:丁文晗 侯敏[1] DING Wenhan;HOU Min(School of Arts,Harbin Normal University,Harbin Heilongjiang,150025,China)
机构地区:[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025
出 处:《文化创新比较研究》2022年第34期18-22,共5页Comparative Study of Cultural Innovation
摘 要:游侠诗歌主要是以仗剑江湖、任侠游历为题材,以侠义精神为内核的诗歌作品。在魏晋时期,曹植将侠引入文人创作,正式开启了文人以侠明志的创作方向。而到了南北朝时期,诗歌整体经历了由刚健到浮华的转变后,在庾信的影响下游侠诗的精魂渐渐复苏。再之后到了唐代,在杜甫的笔下游侠诗的内核彻底觉醒。曹植、庾信与杜甫的游侠诗都具有雄浑气势与力量崇拜,但是曹诗、庾诗雄浑,杜诗粗犷。三者都体现了强烈的爱国主义精神,但是曹诗、庾诗更多地带有个人命运情怀,而杜诗却偏重忠君爱国的赤子之情。三者都有意识对侠义之气进行书写,但是杜诗与前二者诗歌相比更加淋漓尽致。Chivalric poems are mainly poems with the theme of fighting the sword in the Jianghu and knight errands,and the core of chivalric spirit.During the Wei and Jin Dynasties,Cao Zhi formally introduced chivalry into the literary creation,which officially opened the creative direction of literati.However,in the Northern and Southern Dynasties,the spirit of the ranger poetry gradually recovered under the influence of Yu Xin after the overall transformation of poetry from vigorous to flashy.Later,in the Tang Dynasty,the core of the ranger poetry under Du Fu's pen was completely awakened.Cao Zhi's,Yu Xin's and Du Fu's chivalric poems all have powerful momentum and power worship,but Cao Zhi's and Yu Fu's poems are powerful,while Du Fu's poems are rough.All three of them embody a strong patriotism,but Cao's poems and Yu's poems have more feelings of personal destiny,while Du's poems focus on loyalty to the monarch and patriotism.All three of them consciously wrote chivalric spirit,but Du Fu's poems were more incisive than the former two.
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