《封神演义》与中国诗化哲学——道教文化视野下的文本探源与中西对话  

Creation of the Gods and Chinese Poetic Philosophy-Textual Exploration and Sino-Western Dialogue from the Perspective of Taoist Culture

作　　者：李佳忆 孙鸣晨 LI Jiayi;SUN Mingchen(Liaoning Normal University,Dalian Liaoning,116082,China)

机构地区：[1]辽宁师范大学,辽宁大连116082

出　　处：《文化创新比较研究》2022年第34期84-88,共5页Comparative Study of Cultural Innovation

基　　金：国家社会科学基金项目青年项目“《周易》文本书写与结构的文学意味研究”(项目编号:20CZW008)阶段性成果。

摘　　要：《封神演义》中出现了大量神仙、仙境、法术、宝物等意象,这些都是一种文化符号,充满奇幻的想象色彩,体现了道教文化的独特魅力。这些道教文化符号中包含着丰富的诗化哲学意蕴,欲探究其中堂奥,首先要明白何为“诗化哲学”“诗化哲学”与道教文化符号的生成有何关系,以及这一艺术特色在《封神演义》中是如何体现的。该文将从道教文化的思想源头——道家思想为切入点,并结合中西诗化哲学的横向对比,对《封神演义》中的一些道教文化符号和中西诗化哲学的异同进行解读。探究这一问题,对于理解道家思想与道教文化的源流关系,以及中西诗化哲学的内涵具有重大意义。A large number of images such as immortals,fairyland,magic,and treasures appear in Creation of the Gods,which are cultural symbols and full of fantastic imagination,reflecting the unique charm of Taoist culture.These Taoist cultural symbols contain rich poetic philosophical implications.To explore the grandeur of these symbols,first of all,we should understand what is"poetic philosophy",what is the relationship between"poetic philosophy"and the generation of Taoist cultural symbols,and how this artistic feature is embodied in Creation of the Gods.This article will start from the ideological source of Taoism culture—Taoism thought,and combine with the horizontal comparison of Sino-Western poetic philosophy,to interpret the similarities and differences between some Taoist cultural symbols in Creation of the Gods and Sino-Western poetic philosophy.Exploring this issue is of great significance for us to understand the origin and development of Taoism and Taoism culture,as well as the connotation of Sino-Western poetic philosophy.

关 键 词：《封神演义》 诗化哲学 道教文化 道家思想 中西比较 文化符号 

分 类 号：I207.41[文学—中国文学] B958[哲学宗教—宗教学]