《八千岁》的口语写作  

Oral writing of《Eight Thousand Years Old》

作　　者：赵利国 ZHAO Li-guo(School of Arts,Harbin Normal University,Harbin 150028,China)

机构地区：[1]哈尔滨师范大学文学院,哈尔滨150028

出　　处：《湖北工业职业技术学院学报》2022年第6期53-57,共5页Journal of Hubei Industrial Polytechnic

摘　　要：《八千岁》是汪曾祺“高邮系列”小说的代表作,此系列小说写故乡高邮的风土人情,同时标志着汪曾祺小说语言风格的创作转型。小说《八千岁》将口语语言融入到市井摹写中,使小说反映底层人民生活,呈现出人物志的文字样貌。然而,更值得注意的,是口语写作在小说语言形式方面的探索,这主要体现在口语表达习惯层面,《八千岁》的口语写作,可以从口语对欧化汉语的解构、口语语言的离题特色和口语写作中的书场艺术三方面展开分析。Eight Thousand Years Old is the representative work of Wang Zengqi’s“Gaoyou Series”novels.This series of novels describes the local customs of Gaoyou,his hometown,and marks the creation transformation of Wang Zengqi’s novel language style.The novel Eight Thousand Years Old integrates spoken language into the market description,so that the novel reflects the life of the people at the bottom and presents the written appearance of the character chronicles.However,what is more noteworthy is the exploration of oral writing in the form of novel language,which is mainly reflected in the level of oral expression habits.The oral writing of Eight Thousand Years Old can be analyzed from three aspects:the deconstruction of spoken Chinese to Europeanized Chinese,the off topic characteristics of spoken language,and the book art in oral writing.

关 键 词：汪曾祺 八千岁 口语写作 离题 书场 欧化汉语 

分 类 号：I206.7[文学—中国文学]