古典音乐审美视域下的录音与制作方法探讨——以竹笛协奏曲《归去来兮·雪山之恋》为例  

An Analysis of Recording and Production Methods from the Perspective of Classical Music Aesthetics

作　　者：魏子凌 张一龙[1] WEI Ziling;ZHANG Yilong(Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学音乐与录音艺术学院,北京100024

出　　处：《演艺科技》2022年第4期19-24,共6页Entertainment Technology

摘　　要：以竹笛协奏曲《归去来兮·雪山之恋》的实况录音和后制作为例,阐述基于现今古典音乐录音作品审美视域下古典音乐作品的音响设计理念,以及同期录制和后期制作的方法及技巧。Through practical cases,this paper mainly introduces the aesthetic standards of classical music nowadays,introduces some practical skills and ideas of recording in this aesthetic perspective,especially the sound design concept of classical music works,as well as the method of reducing and mixing production in the later period.

关 键 词：古典音乐 协奏曲 音乐音响审美 同期录音 后期制作 

分 类 号：J632.11[艺术—音乐] J619.1