壮族图腾艺术在绘画中的美学研究——以花卉文化生态美学为例  

The Aesthetic Research of Zhuang Totem Art in Painting——Taking Flower Culture Ecological Aesthetics as an Example

作　　者：谢冬云 XIE Dongyun(Anyang Normal University,Anyang 455000,China)

机构地区：[1]安阳师范学院,河南安阳455000

出　　处：《鞋类工艺与设计》2022年第24期95-97,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：2022年大学生创新创业训练项目《壮族图腾艺术在绘画中的美学研究⸺花卉文化生态美学》(项目编号:202210479096)。

摘　　要：本文结合我国社会的发展需求,将生态作为切入点,把壮族图腾艺术中的生态美学融入到绘画中并引发大众对生态理念的进一步体悟。文章将重点深入探究壮族图腾艺术元素的内涵在绘画美学研究中的运用,挖掘壮族图腾艺术本身的价值并尝试提升其在绘画中的美学研究意义,为新时代壮族民族文化的实践创新提供可行性的发展方向。This article combines the development needs of our society,takes ecology as the starting point,integrates the ecological aesthetics of Zhuang totem art into painting,and causes the public to further understand the ecological concept.The article will focus on the in-depth exploration of the connotation of Zhuang totem art elements in the application of painting aesthetics research,excavate the value of Zhuang totem art itself and try to improve its aesthetic research significance in painting,so as to provide a feasible development direction for the practical innovation of Zhuang national culture in the new era.

关 键 词：壮族民族文化 图腾艺术 绘画创新 生态美学 

分 类 号：B933[哲学宗教—宗教学]