统一性的消失:关于西方古典建筑三段式构图的讨论  

The Disappearance of Unity: Discussion on the Classical Architectural Tripartite Composition

作　　者：吴俊贤 虞刚[1,4] WU Junxian;YU Gang(Southeast University;Harbin Institute of Technology,(Shenzhen);Politecnico di Torino;School of Architecture,Harbin Institute of Technology,Shenzhen)

机构地区：[1]东南大学 [2]哈尔滨工业大学(深圳) [3]都灵理工大学 [4]哈尔滨工业大学(深圳)建筑学院

出　　处：《世界建筑》2023年第1期18-23,共6页World Architecture

摘　　要：三段式构图是西方古典建筑完整性的体现,这一思想最早可以追溯到古希腊时期。作为具有意义的形式系统,西方古典建筑平面、立面以及装饰细部中的三段式构图保证了建筑各个部分的完整,由此构成的建筑整体便是“完整性的统一”,这种统一也确保了建筑意义的完整。对三段式的解读能够帮助我们理解西方古典建筑的构图逻辑。此外,三段式构图从古希腊时期的一种不言自明的法则,到文艺复兴时期得以进一步的明确,而后又随着古典建筑的衰落而式微,这一过程所折射出的是历史发展中建筑思想的转变,对这种转变的探讨能够帮助我们进一步认识建筑历史发展的脉络。Tripartite composition is a manifestation of integrity, and this idea can be traced back to ancient Greece. As a meaningful formal system, the tripartite composition of classical architecture appears in its plan, fa?ade, and details, reflecting an internal unity. This unity ensures the exactitude and integrity of all parts of classical architecture and, thus, the integrity and unity of the overall meaning of classical architecture. In a broader view, the architectural tripartite composition has evolved from a self-evident law in ancient times to further clarification during the Renaissance and then gradually disappeared following the decline of classical architecture. The evolution and decline of the architectural tripartite composition vividly reflected the transformation of architectural thinking,helping us to further understand the context of architectural development throughout history.

关 键 词：古典建筑 三段式 构图 统一性 

分 类 号：TU-86[艺术—艺术设计]