密斯·凡·德·罗作品中的19及20世纪钢结构设计特征及其带来的历史新叙事  

The 19th and 20th Century characters of Steel construction in Mies van der Rohe’s Works and the new historical narratives which it brings

作　　者：于洋[1,2] YU Yang

机构地区：[1]上海交通大学 [2]瑞士门德里西奥建筑学院

出　　处：《城市环境设计》2022年第4期283-287,共5页Urban Environment Design

摘　　要：本文通过分析密斯·凡·德·罗的作品,试图将其钢结构设计放在历史文脉中重新解读。具体地讲,是指出其20世纪30年代作品与19世纪钢结构间的关系,20世纪40年代作品与20世纪战前钢结构间的关系,以及柏林新国家美术馆与战后欧洲钢结构加工能力的关系。这种设计特征与钢材加工技术间的关联即是本文所试图建立的历史叙事。作为结论,本文质疑弗兰普顿和埃文斯对于密斯核心形式与艺术形式间关系的一些论述,作为推论,本文从更宏观的角度去观察制造业向建筑业的技术转移。Through analyzing several projects of Mies van der Rohe’s projects, this article tries to interpret his steel structure design in the historical context. To be more specifical, it is connection between his 1930s works and the steel structure tradition of 19 century, and the connection between his 1940s works and the steel structure tradition before WWII, as well as the new national gallery of berlin and the new steel processing technology after WWII. Through reviewing the constructional quality and the technology of that time, this article establish a new narrative architectural history. As conclusion, this article questions the opinion of Kenneth Frampton and Robin Evans about the relationship of Kernform and Kunstform of Mies van der Rohe’s works. As inference, his article observes the technology transition from manufacture industry to construction industry from a macro perspective.

关 键 词：魏森霍夫住宅 埃斯特住宅和朗格住宅 巴塞罗那德国馆 图跟哈特别墅 范斯沃斯住宅 伊利诺伊理工学院克朗楼 柏林新国家美术馆 核心形式 艺术形式 

分 类 号：TU-86[艺术—艺术设计]