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作 者:胥洪泉[1] 何瑞芳 XU Hong-quan;HE Rui-fang(School of Liberal Arts,Southwest University,Chongqing 400715,China;Editorial Department of Journal,Taiyuan University,Taiyuan 030032,China)
机构地区:[1]西南大学文学院,重庆400715 [2]太原学院学报编辑部,山西太原030032
出 处:《太原学院学报(社会科学版)》2023年第1期76-82,共7页Journal of Taiyuan University(Social Science Edition)
摘 要:清代诗人阮元任云贵总督时,接触到大理石画,认为这种天然画,颇具诗情画意,是大自然馈赠人类的艺术珍品,就大量选购收藏,并且还通过多种途径进行传播。阮元选取唐宋诗句或自己题诗品题大理石画,揭示石画的画意诗情,当时的不少诗人文士通过阅读其石画诗才了解、喜欢上大理石画;阮元著录大理石画撰写并刊印《石画记》一书,开创了著录天然画一格。随着《石画记》的广泛传阅,大理石画也声名远扬;阮元还将大理石画寄赠给达官显贵、诗友亲朋,他们或清供欣赏,或装饰家具,大理石画才广泛成为工艺品、装饰品进入人们的生活,并为世人所重。阮元使云南大理石画超越了地域限制,扩大了影响范围,是中国古代传播大理石画贡献最大的诗人。When Ruan Yuan,a poet in the Qing Dynasty,was appointed Governor of Yunnan and Guizhou,he believed that marble painting was poetic and picturesque,an artistic treasure given by nature.He collected a large number of paintings and spread them through various channels.He selected poems in Tang and Song Dynasty and his own poems about marble paintings to reveal the picturesque poetry of stone paintings.Many poets and scholars at that time knew and liked marble paintings only by reading the poems.Ruan Yuan wrote and printed the book"Records of Stone Paintings",creating a style of describing natural paintings.With the wide circulation of the book,marble paintings aroused attention of public;Ruan Yuan also sent marble paintings to poets,his relatives and friends for appreciation or decorating furniture.Only then did marble paintings widely become handicrafts and decorations and are valued by the world.Ruan Yuan helps Yunnan's marble painting exceed the regional restrictions.He made the greatest contribution to the spread of marble painting in ancient China.
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