徐州汉画像石艺术馆藏品图像中的生活景象  

Life Scenes in the Collection Images of Han Carving Stones Gallery in Xuzhou

作　　者：徐东慧 Xu Donghui(School of Fine Arts,Huaibei Normal University,Huaibei 235000,China)

机构地区：[1]淮北师范大学美术学院,安徽淮北235000

出　　处：《黑河学院学报》2022年第11期186-188,共3页Journal of Heihe University

基　　金：安徽省高校人文社会科学研究项目“地区博物馆与皖北地域文化建设”(SK2019A0372)。

摘　　要：徐州汉画像石艺术馆既承载了历史又消除时间性的公共文化空间,将汉画像石进行分类与场域空间的还原。通过不同系列的画像石唤起人们的时代记忆,连接起了现代与汉代逝去文化的沟通。藏品画像石完整地将人们的日常生活融合并且平面化,平面化后的生活景象展现了汉代人们的生活状况;使人们了解丧葬文化消费与逝者个人社会身份的陈述。在图像转向和读图时代语境的时间发展中,汉画像石通过图像中生活景象的展现协助人们了解汉代逝去文化和现代文化渊源之间的关系。Han carving stones gallery in Xuzhou carries the history and eliminates the public cultural space of the time, classifying the carving stones in Han dynasty while restoring field space;Different series of carving stones can evoke people’s memories of the times and connect the communication between the modern culture and the lost culture of the Han Dynasty. The collection of carving stones will completely integrate people’s daily life and make it flat. The flatted life scene can show people’s living conditions in the Han dynasty, make us understand funeral culture consumption and the statement of the deceased’s personal social identity. In the chronological development of the image conversion and the context of reading carving stones, Han carving stones help us understand the relationship between the lost culture of the Han dynasty and the origin of modern culture through the presentation of life scenes in the carving stones.

关 键 词：徐州画像石 藏品艺术 汉代风俗 

分 类 号：K879.4[历史地理—考古学及博物馆学]