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作 者:李薇 杨伟[2] LI Wei;YANG Wei(School of Forien Languages,Fujian Jiangxia University,Fuzhou Fujian,350108,China;Japanese language school,Sichuan International Studies University,Chongqing,400031,China)
机构地区:[1]福建江夏学院外国语学院,福建福州350108 [2]四川外国语大学日语学院,重庆400031
出 处:《安庆师范大学学报(社会科学版)》2022年第6期30-37,共8页Journal of Anqing Normal University:Social Science Edition
基 金:2020年重庆市研究生科研创新重点项目“左联东京分盟视域下中国左翼诗学域外建构研究”(CYB20186)。
摘 要:以左联东京分盟留日诗人诗歌创作活动为参照,将20世纪30年代左翼诗歌现代性追求放置在域外文化空间作初步梳理,从域外语境下的集体性想象、译诗与日文诗的艺术创化、诗学精神的域外延伸等方面,论证左联留日诗人新诗现代性建构所做出的实践探索。特别关注中日左翼诗人及东盟盟刊与日本左翼刊物的互动,由此对左翼新诗现代性的域外探索做出更为客观的理解,以全面认知左翼诗歌的整体风貌。Based on the poetry creation activities of the poets studying in Japan of the Left-wing Union in Tokyo,the modernity pursuit of Left-wing poetry in the 1930s was placed in the cultural space of the foreign space to do a preliminary sorting.From the aspects of collective imagination in a foreign context,poetry translation and the artistic creation of Japanese poetry,the foreign extension of poetic spirit,to confirm the practical exploration of the modernity construc-tion of new poems by Chinese poets of the Left Union studying in Japan.Pay attention to the interaction between Chinese and Japanese left-wing poets and the association of the left-wing alliance in Left UnionTokio branch journals and Japanese left-wing journals.From this,It has a more objective understanding of the foreign exploration of the modernity of left-wing new poetry.In order to further understand the overall style of left-wing poetry.
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