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作 者:杨共乐[1] YANG Gong-le(School of History,Beijing Normal University,Beijing 100875)
机构地区:[1]北京师范大学历史学院/史学理论与史学史研究中心,北京100875
出 处:《陕西师范大学学报(哲学社会科学版)》2022年第6期137-144,共8页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家民委民族研究基地重大项目“正确的中华民族历史观研究”(2021-GMG-003);教育部人文社会科学重点研究基地重大项目“西方古代学术名著译注”(19JJD770002)。
摘 要:障扇是中华大文明中的小文明,自身演变脉络清晰。障扇最初流行于民间,汉代为豪侠所用,魏晋时期演变为贵族仪仗。南北朝以后,呈对称型的两把障扇已经成为皇室乘舆制度的一部分,被赋予宫廷传统礼仪文化的重要内涵,并一直延续到清王朝的灭亡。就目前的材料来看,在古代埃及,国王旁边也有立两把仪仗扇之现象。它与中国古代的宫廷障扇制度既有某些共通之处,也有各自独特之形制和价值,它们在人类文明史上都占有极为重要的地位。Zhangshan is a small civilization in the big civilization of China.Zhangshan’s evolution is clear. In the beginning, Zhangshan was popular among ordinary people. In the Han Dynasty, it was used by heroes. In the Wei and Jin Dynasties, it became an aristocratic ceremonial instrument. After the Northern and Southern Dynasties, it gradually evolved into a part of the royal family’s Chengyu System, which was endowed with important connotations of the traditional ceremonial culture of the court. According to the current materials, in ancient Egypt, there were also two fans standing behind the king. It has something in common with the ancient Chinese court Zhangshan System, but it also has its unique formation and value. They occupy a very important position in the history of human civilization.
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