《中国电影发展史》与中国电影史研究  

Chinese Film History and Studies of Chinese Film History

作　　者：饶曙光 刘婧 RAO Shu-guang;LIU Jing(College of Movie and Media,Sichuan Normal University,Chengdu 610066,Sichuan)

机构地区：[1]四川师范大学影视与传媒学院,四川成都610066

出　　处：《陕西师范大学学报（哲学社会科学版）》2022年第6期158-169,共12页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：对于中国电影历史的记录和研究早在20世纪20年代便已经开始,当下中国电影史的著述也蔚为大观,但《中国电影发展史》无疑是其中的里程碑。因写作于特殊年代,该书所关涉的历史事件和人物,还有尚需进一步厘清和说明的地方。该书虽深受当时政治生态的影响,但以“潜在写作”和“集体写作”的方式,用时代和集体之思丰富着电影史研究。与此同时,书籍所采用的历史文献、理论体制、史学文体和研究范式,仍然影响深远。重新品读这本皇皇巨著,客观公正地思考其于时代、于创作集体、于电影史研究的价值,有助于有序拓展并优化中国电影史研究,并为建立中国特色的电影话语体系提供新的思考路径。As early as the 1920s, the recording and studies of the Chinese Film History had already appeared.Nowadays, the literature of Chinese film history also presents a flourishing situation, among which the Chinese Film History is undoubtedly a milestone.Because this book was created in a special age, there are some aspects about the historical events and characters described in the book needing to be further clarified and explained.It is also important to note that although the book was deeply influenced by the political ecology of the time, it enriched the studies of film history with the era and collective thinking in the form of “potential writing” and “collective writing”.In addition, the historical literature, theoretical system, historiography style and research paradigm used in he book still have far-reaching influence.Therefore, it is necessary to re-read this great brilliant work and to think about its value to the era, creative collectives, and film history studies objectively and impartially.In this way, it not only helps to expand and optimize the studies of Chinese film history in an orderly way, but also provides a new way of thinking for the establishment of film discourse system with Chinese characteristics.

关 键 词：中国电影史 话语体系 历史观念 

分 类 号：J909[艺术—电影电视艺术]