16—17世纪日本南蛮绘画屏风和地图屏风  

A Sketch of Japanese Namban Screens and Map Screens(1568—1650)

作　　者：顾卫民[1,2] Gu Weimin

机构地区：[1]华东师范大学历史学系 [2]澳门科技大学,中国澳门

出　　处：《国际汉学》2022年第4期132-141,202,203,共12页International Sinology

摘　　要：南蛮屏风是16世纪下半叶至17世纪初年的一种典型的具有域外特征的日本本土艺术形式,它忠实地记录了地理大发现时代葡萄牙人在日本九州地区的贸易和宗教活动。本文叙述了南蛮绘画屏风以及地图屏风的基本内容和艺术特征,并讨论了屏风上所绘的日本南蛮贸易物品以及所反映的当时的社会文化氛围,从一个侧面说明了近代早期日本与葡萄牙的文化交流与融合。A Namban screen is a typical Japanese local art form with exotic characteristics from the second half of the 16th century to the early 17th.It faithfully records the trade and religious activities of the Portuguese in the Kyushu,Japan during the Great Geographical Discovery period.This essay describes the basic content and artistic features of the Namban painted screens and map screens and analyzes the contemporary Japanese Namban merchandise painted on the screen as well as the social and cultural atmosphere reflected by the screen.This essay reveals the cultural communication between Japan and Portugal in the early modern period on the basis of this kind of Japanese art.

关 键 词：日本 葡萄牙 南蛮绘画屏风 南蛮地图屏风 

分 类 号：K103[历史地理—历史学]