离微不二,载魂之舟--评川剧《草鞋县令》的现实主义品格  

Mind Cultivation is Vital for Officials and a Symbolic Boat Heads to another Realm-On the Realistic Spirit of Sichuan Opera County Magistrate of Straw Sandals

作　　者：周固成 ZHOU Gu-cheng(Research Institute of Drama,Jiangsu Provincial Academy of Culture and Arts,Nanjing,Jiangsu 210005)

机构地区：[1]江苏省文化艺术研究院戏曲研究所,江苏南京210005

出　　处：《艺术百家》2022年第5期56-61,75,共7页Hundred Schools In Arts

摘　　要：四川艺术职业学院与四川省川剧院联合打造的川剧《草鞋县令》,围绕朝廷官员在个人仕途与济世救民之间二难抉择的核心问题,以艺术的方式透视了当代基层为官者从政生涯的“官僚逻辑”。通过纪大奎“亲民爱民”形象的艺术创造与仕途艰辛的舞台搬演,告诫为官者唯有具备大公无私、清净无我的思想境界,自己的精神在人类文明的长河中才能永生不朽。该剧实现了历史“纪大奎”向舞台艺术的“跨界”转化,为戏剧艺术开掘历史题材的精神内涵和美学品质做出了应有的贡献。Co-produced by Sichuan Vocational College of Art and Sichuan Opera Troupe,Sichuan Opera County Magistrate of Straw Sandals expounds the“Bureaucratic Logic”of contemporary primary-level officials in their political career in an artistic manner revolving around the painful dilemma faced by officials of the imperial court between their official career and good deeds to the society and people.The opera warns officials that their character and spirit may be eulogized generation by generation only when they are selfless,honest and clean-handed on their post by presenting the artistic image of Ji Dakui who cherish and care about the people on the stage through artistic creation and fascinating performance.In the opera,Ji Dakui is artistically transformed from a historical figure into an artistic image on the stage,empowering the spiritual connotations and aesthetic quality of opera with historical themes.

关 键 词：《草鞋县令》 川剧 人物原型 思想主题 矛盾叙事 舞台美术 

分 类 号：J82[艺术—戏剧戏曲]