意识形态建构:二十世纪五六十年代历史剧创作理论与实践  

Ideologyconsruction:The Theory and Practice of the Historical Drama in 1950s and 1960s

作　　者：吴新苗 WU Xin-miao(National Academy of Chinese Theatre Arts,Research Institute of Theatre Arts,Beijing 100073)

机构地区：[1]中国戏曲学院戏曲研究所,北京100073

出　　处：《艺术百家》2022年第5期76-83,共8页Hundred Schools In Arts

基　　金：2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(北京卷)”(项目编号:19ZD06)阶段性成果;2020年度国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目编号:20ZD23)阶段性成果之一。

摘　　要：中华人民共和国成立后,历史剧创作与其他文学艺术创作一样,须要体现出“新文化”的特点,承担起建构意识形态的职责。回溯二十世纪五六十年代历史剧创作理论与实践,可以更为真实细致地呈现当时的历史镜像,人们借此能够了解历史剧在意识形态建构中的具体表现和遭遇的问题,从而反思历史。After the founding of the People’s Republic of China,the historical drama creation,like other forms of literature and art creation,also needs to reflect the characteristics of the“new culture”and takes on the responsibility of ideological construction.As for how to construct ideology through historical dramas,there have been many attempts and theoretical debates.Going back to the theory and practice of historical drama creation in the 1950s and 1960s,we can reveal the historical context of that time in a more realistic and detailed way.Through this mirror image of the history,people can see the specific performance of historical drama in ideological construction,and it is also clearer to recognize the problems encountered by historical dramas.Thus,the reflection of that history can be obtained.

关 键 词：二十世纪五六十年代 历史剧 意识形态建构 

分 类 号：J80[艺术—戏剧戏曲]