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作 者:葛涛 Ge Tao(Institute for Advanced Studies in Humanities and Social Sciences,Shaanxi Normal University,Xi’an Shaanxi,710119;Beijing Lu Xun Museum,Beijing,100034)
机构地区:[1]陕西师范大学人文社会科学高等研究院国际鲁迅研究中心,陕西西安710119 [2]北京鲁迅博物馆,北京100034
出 处:《山东师范大学学报(社会科学版)》2022年第6期25-34,共10页Journal of Shandong Normal University(Social Sciences)
基 金:国家社科基金项目“北京鲁迅博物馆藏稀见及未刊文献整理与研究”(22BZW133)的阶段性成果。
摘 要:通过梳理鲁迅与《文学》杂志编辑人员的交往经历,并结合《木刻纪程》的出版广告在开头标明的“中国青年作家出品”这一关键信息,发现鲁迅不仅在《介绍德国作家版画展》一文中把德国进步的版画家称为“德国作家”,而且在多封书信中先后把《木刻纪程》一书中的8位木刻作者称之为“中国青年作家”“中国新作家”“中国青年”。显然,鲁迅使用的这几个称呼都与这则《木刻纪程》的出版广告在开头标明的“中国青年作家”相近,这也从另一个角度证明这则《木刻纪程》的出版广告是鲁迅撰写的。Through combing the communication between Lu Xun and the editors of the magazine Literature and combining the key information“produced by Chinese young writers”marked at the beginning of the publication advertisement for Woodcut Chronicle,we can find that Lu Xun not only referred to the progressive German printmakers as“German writers”in his article Introduction to the German Writers’Printmaking Exhibition,and in many letters,he also successively called the eight woodcarvers in the book Woodcut Chronicle as“Chinese young writers”,“Chinese new writers”and“Chinese youth”.Obviously,these expressions used by Lu Xun are similar to“Chinese young writers”marked at the beginning of the publication advertisement for Woodcut Chronicle.This also proves from another angle that the publication advertisement for Woodcut Chronicle was written by Lu Xun.
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